TAMARAXONIM'S CREATIVE LIFE: A SYMBOL OF GENDER EQUALITY AND CULTURAL HARMONY
DOI:
https://doi.org/10.37547/mesmj-V5-I9-16Abstract
This article provides an in-depth examination of the concept of gender equality and its role in modern society, with a particular focus on its impact on the development of Uzbek art and culture. The life and creative work of Tamaraxonim (Tamara Artyomovna Petrosyan) are analyzed as a vivid example of gender equality manifested in her professional and personal life. Special attention is given to her familial and creative partnership with her husband, Muhiddin Qori Yoqubov, which stands as a unique example of harmony and equality in cultural and social spheres.
The article explores Tamaraxonim's significant contribution to preserving and developing folk culture through her mastery of dance and music, as well as her ability to represent Uzbek art on the international stage. Her creative work not only enriched the national heritage but also served as a bridge for strengthening cultural ties between nations, earning global recognition.
Additionally, the study highlights the importance of gender equality principles in the development of Uzbek art, considering them as one of the key factors in ensuring cultural sustainability and social harmony. It analyzes how the creative work of Tamaraxonim and her contemporaries reflects the fundamental values of the Third Renaissance, contributing to the reinforcement of national identity and the promotion of culture on a global scale.
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References
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Qori Yoqubov, M. (1927). Anthology of Eastern Music and Dances. Tashkent: State Publishing House.
Duncan, A. (1929). My Life and My Attitude Towards Art. Berlin: Walter.
UNESCO (2023). Cultural Heritage and Gender Equality. Paris: UNESCO
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Copyright (c) 2024 Dildoraxon Mamajonova
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