PRINCIPLES OF ANALYZING LITERATURE AND ART WORKS BASED ON POSTCOLONIAL METHOD (IN THE EXAMPLE OF UZBEK JADID LITERATURE)

Abstract

The text explores the significance of postcolonial analysis in understanding artistic literature and national art, focusing on its role in revealing the effects of colonialism on culture, consciousness, and social structures. Originating in the late 20th century through scholars like Fanon and Said, this method combines literary studies with history, philosophy, psychology, and cultural studies to deconstruct colonial legacies. The study highlights the period of late 19th to early 20th century Turkistan, marked by national awakening, social upheaval, and literary renewal in response to oppressive colonial policies. The analysis delves into the cultural and political struggles reflected in literature, including rebellion against social inequality, forced labor policies, and the fight for independence. Poets and intellectuals like Sobir and Avloniy are examined for their roles in expressing national ideals, social critique, and hope for a prosperous future, illustrating the dynamic interplay between historical context and literary evolution during this transformative era.