THE TRADITION OF MOVASHACHISM IN THE TASHKENT LITERARY ENVIRONMENT

Abstract

Muvashshah works created by the creators of Uzbek national revival literature are of great importance in studying the literary and aesthetic world, social and literary life, literary circles, and creative cooperation of poets. The muwashshahs were mainly created on romantic (metaphorical), partially on religious-mystical and social themes. In particular, the works of Yusuf Saryami, Muhyi, Hazini, Basitkhan Hariqi, who created artistically mature examples of muwashshahs on religious and Sufi themes, reflect the recognition of human identity, pure morality, the promotion of human qualities, as well as important social issues in historical conditions. At the same time, the study of muwashshahs also has important scientific value in determining its place and significance in the history of our literary studies. This article discusses muwashshah-ghazals, which occupied a prominent place in the works of representatives of the Tashkent literary environment of the second half of the 19th and early 20th centuries.