A STATISTICAL AND PSYCHOBIOGRAPHICAL ANALYSIS OF ABDULLA ORIPOV’S POETIC THOUGHT

Abstract

The article examines Abdulla Oripov’s poetic thinking through statistical and psychobiographical analysis. It analyzes the transformation of the concept of beauty in the poet’s artistic consciousness from a purely aesthetic category into a moral and spiritual one. The study also divides the poet’s creative development into six stages (1958–2016) and explores the psychological and artistic transformations, contradictions, and dominant motifs characteristic of each period. Biographical events such as the death of the poet’s mother, national independence, political pressures, envy, and slander are shown to have significantly influenced the psychological dramatism of his lyrical works. Through statistical analysis, the frequency of key lexemes such as “mother,” “life,” “beauty,” “envy,” and “devil/Satan” was identified, revealing the poet’s system of values and worldview. The article demonstrates the theoretical and practical significance of a psychobiographical interpretation of Abdulla Oripov’s literary heritage.

Keywords

Abdulla Oripov, poetic thinking, psychobiography, statistical analysis, beauty, creative stages, lyrical hero, psychological dramatism, mother image, motifs of independence, envy, farewell motifs, acmeology.